Yeah, okay: Billie Eilish, “bury a friend” – The last time I reviewed a Billie Eilish track for this site (“Lovely” ft. Khalid), I wrote that the teenage pop experimentalist does “one particular thing very well, and she does it in every song she releases: whisper-sung vocals and ethereal production that lifts only so slightly at the chorus.” That’s still true, but until now, I’ve failed to appreciate the malleability of the formula. “bury a friend,” the first single from her imminent debut album, WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?, lives up to her standard, with the addition of an uptempo beat and nightmarish production. Her video screams Marilyn Manson, but the song is definitely Dresden Dolls: a haunted carnival that only appears when you say “Bloody Mary” three times into the front-facing camera setting of an iPhone. —Maria Sherman
Def: CHAI, “Fashionista” – The prevailing narrative surrounding Japanese quartet CHAI focuses on their self-anointed concept of “Neo-Kawaii,” a feminist punk (where punk is an ethos and not a genre) take on cute culture. “Fashionista” takes that theme and applies it to the style economy. Clothing can be an extension of yourself, but it doesn’t need to be on-trend or expensive. That’s obviously no radical concept, but it is a fun one to bop around to whilst enjoying their bilingual electro pop-rock. —MS
Def: CHAI, “Fashionista” – The prevailing narrative surrounding Japanese quartet CHAI focuses on their self-anointed concept of “Neo-Kawaii,” a feminist punk (where punk is an ethos and not a genre) take on cute culture. “Fashionista” takes that theme and applies it to the style economy. Clothing can be an extension of yourself, but it doesn’t need to be on-trend or expensive. That’s obviously no radical concept, but it is a fun one to bop around to whilst enjoying their bilingual electro pop-rock. —MS