Lost Finale Recap: Case Closed
LatestWhile many (most?) mysteries remain unsolved, Lost‘s series finale “The End” was, nonetheless, satisfying because it didn’t purport to have all the answers. Instead, viewers were comforted with just one: If you live together, you won’t die alone.
Maybe I loved the finale so much because it validated one of my theories—giving me a Tracy Flick “ME!” moment—a theory I proposed early on in the season: Bardos, aka, death cycles. (I’d thought that the Island was what the Losties had dreamed up for their bardo phase, when it was actually the sideways universe that was the dream.) But mostly, I loved the finale for its emotional aspects, which could’ve come off as schmaltzy, but didn’t. I usually go for the mythology and geek shit, but I couldn’t help but feel incredibly emotionally tied to the show’s characters, and I think the writers did a great job in recognizing how important to fans these ties would be, while also not robbing us of the most fun aspect of the show—coming up with our own theories about what just happened.
Anyway, moving on…a component of Tibetan Buddhism, bardos are the different phases the deceased experience between dying and rebirth. It’s a dream-like reality, created by the “awareness” (or a soul) that is freed from the body upon death. Because of the disconnect of the awareness from the physical body, the deceased doesn’t immediately realize that he or she is dead. In the different bardo phases, the “awareness” needs guidance—from different deities, or, you know, guides (hello, Desmond)—to attain enlightenment, i.e., realize that they’re dead. A karmic mirror (remember all those mirrors?) is held up to the deceased so that s/he can reflect and eventually recognize. Once this happens—and it can happen in any of the bardo phases, depending on how much emotional baggage a person has packed for the afterlife—the deceased achieves Nirvana, and can “move on.” Depending on your belief system, this can be heaven, reincarnation, or some kind of simulated reality, like Eloise Hawking for herself and her son. The final scenes in last night’s episode showed Jack’s first and final bardo phases, occurring simultaneously. (Because time is no longer relative.)
Let’s begin in the sideways universe/bardo realm. This, apparently, was the place that the Losties had created to reconnect with each other after they had all died. (It’s a lot like that episode of Little House that Sawyer watched, in which Pa tells Laura that the people that you loved in your life don’t go away, even when they die.) It was then their duty to help each other realize that they were dead, enabling them to move on. This happened in various ways, sort of recreating pivotal events and familiar feelings from their lives. Like Kate helping Claire deliver her baby.
Isn’t it funny that Claire’s vagina is what enlightened Kate? She was like, “I recognize this puffy chucky.”
And seeing mother and child brought it all back for Charlie.
Sayid’s motivation to protect Shannon brought them back together.
Which was orchestrated by Hurley and Boone.
Locke regaining feeling in his feet again is what helped him remember, while Juliet performing a sonogram on Sun enlightened the Kwons. (And helped them remember that they speak English.)
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