Menstrual Cycles Inspire Artistic Flowcharts


Modern reproductive medicine has freed women to have lots of hot sex without worrying about babies, but it has obscured their sense of their own fertility. To which some of us would respond: So freaking what? Not Brigitte Coremans.

A student at the Design Academy Eindhoven, Coremans has designed a pair of clocks that visualize the female reproductive cycle, the idea here being to help women reconnect to the natural rhythms of their bodies. (For another take on the “naturalness” of menstruation see William Saletan’s excellent Slate article here.)

One of the clocks (above) creates a visual archive of the menstrual cycle. It works by measuring a woman’s body temperature, which fluctuates with her hormones over the course of a month. The data is then printed out on what looks like a high-design lie detector. Coremans explains:

“A women measures every morning, before standing up, with a special thermometer for 1 minute. This thermometer sends the measurement wirelessly (like a telephone) to the clock, which will automatically register the measurement on the calendar.”

Coremans says women who’re trying to conceive can use the clock as a fertility chart, and women who aren’t can use it as a natural contraceptive. (With condoms, too, of course.) As a bonus, it’s a black-and-white memo to men in our lives who still can’t understand why some of us occasionally cry our eyes out over Folgers commercials. Dammit.

Coremans’s second piece (linked below) is a biological clock done up like an extra-long necklace. It has 500 beads — one for each egg — that you set according to your age and the date of your first period. Then, every 28 days it drops a bead; as you move further along the necklace the beads get darker and darker, representing your ever-diminishing chances of getting pregnant. It’s a stark visualization of the precariousness of women’s fertility. And it’s actually pretty poetic, even for us skeptics. Check out the remainder of the piece at Fast Company.

Both clocks debuted at the design academy’s graduation show last month. See more of Coremans’s work — including a series of super-creepy stacking coffins for stillborns (!) — here.

This post originally appeared at Co.Design. Republished with permission.

Images courtesy of Brigitte Coremans

Inline Feedbacks
View all comments
Share Tweet Submit Pin