Deconstructing Stevie Nicks' Style, Hatred Of Technology
I have a love-hate relationship with Stevie Nicks. I mock, but if I said there’s something she’s worn that I haven’t owned or coveted at some point in my life, I’d be lying.
Ruth La Ferla in today’s The New York Times points out how Stevie’s iconic style influenced people (even people like me, who lacked cable television until the age of 21) and designers.
Anna Sui, who dedicated an entire collection to Ms. Nicks in the late ’90s and turns out Stevie-inspired handkerchief hems almost every season, admires her consistency. “She’s the iconic California woman,” Ms. Sui observed. “Everyone has their version of her.”
These days Ms. Nicks is the inspiration for Web sites like gypsymoon.com, which offers Nicks-style top hats and shawls; and enchantedmirror.com, which sells tambourines, fringed shawls and a musky fragrance in homage to the singer. In February, Jill Stuart paraded Nicksian feathers, leather and lace on her fashion runway.
Yeah, I have handkerchief hemmed skirts, a couple of fringed shawls (one in burnt velvet with beaded fringe) and even a couple of feathered hats. Don’t judge me.
Her initial wardrobe stylings were something she developed in concert with her designer Margi Kent.
At the time, her brief to Margi Kent, who still designs much of her wardrobe, was to create “something urchinlike out of ‘Great Expectations’ or ‘A Tale of Two Cities,’ ” a chiffonlike, raggedy skirt that would still look beautiful with black velvet platform boots.
“We came up with the outfit: a Jantzen leotard, a little chiffon wrap blouse, a couple of little short jackets, two skirts and boots,” Ms. Nicks said as she reminisced in her suite at the Waldorf Towers last week. “That gave us our edge.”
Velvet platforms, leotards with long skirts and short jackets basically describes my wardrobe circa 1995.