Here and Now portrays the lives of the Bayer-Boatwright family, headed by Greg (Tim Robbins), a philosophy professor and Audrey (Holly Hunter, still good despite the material), the head of something called the Empathy Initiative, a conflict-resolution consultancy. Their children are the aforementioned Benneton ad, all adopted from various countries that, in their own words, America royally fucked over. There’s Duc (Raymond Lee), a control-obsessed life coach adopted from Vietnam; Ramon (Daniel Zovatto), the aimless 22-year-old and seeming spiritual center of the entire endeavor, adopted from Colombia; and Ashley (Jerrika Hinton), adopted from Liberia and now in charge of something that involves beautiful male models, the internet, and fashion. These adult children are joined by the Bayer-Boatwright’s biological daughter Kristen (a radiant Sosie Bacon, daughter of Kevin and Kyra Sedgwick), who embodies the best and worst of her parents’ intentions. If this wasn’t enough to get you really thinking, there’s also a formerly-Muslim therapist, his Muslim wife, and his gender fluid son Navid who wears a full YouTube glam beat and hijab in the house, but not at school or in public. Naturally, this show is set in Portland, Oregon, the nation’s capital of gestural progressive values, and much like living in Portland, is exhausting for the spirit and the mind.
The trailer for Here and Now, Alan Ball’s latest offering on HBO, is like a bizarre advertisement for liberal white America’s best intentions. Meant to be a show that examines the reality of being an American in the “here and now”—a multicultural Benetton ad come to life, less melting pot and more chopped salad—the result is a messy excavation of white guilt, sprinkled here and there with brief moments that have the potential to be interesting. In the first four episodes made available to critics, however, it never really looks up from its own navel to say something of substance.