Meghan and Harry Are Stuck in a Risky Mid-Pandemic Rebrand
In Depth

After a flurry of beautifully costumed final engagements, Harry and Meghan have officially left the Firm, and as of April 1, they are no longer “working royals.” They’ve said farewell to their Sussex Royal Instagram account, as they will no longer be using the brand, and they’re settling into their new home base in Los Angeles, where their new, Hollywood-adjacent advisors are based, just ahead of Meghan’s Disney+ premiere as narrator of the wildlife documentary Elephant. They’re poised for their next act—or at least they were, before the advent of covid-19.
When Harry and Meghan first announced their plans to break away from their official roles within the royal family, one of their stated reasons was a desire to make their own money; one of the most interesting questions is how they’re going to go about that. Clearly, they’ve got to make a living somehow: Their security costs alone are likely to be significant. But while details are still scant, there have been clues and signals about their new direction. For one thing, their social causes will likely remain a core aspect of their public identity: Their new chief of staff is Catherine St. Laurent, who previously worked for the Bill and Melinda Gates Foundation, and the New York Times says she’ll run their new non-profit organization. But they are going to have to find ways to generate serious income, without appearing to cash in on their royal connections. They face the tricky task of replanting their brand from the specific soil of royalty—and in the middle of international upheaval, no less.
One of the most obvious possibilities is that they follow in the footsteps of the Obamas with some sort of production deal. There has been persistent talk of their working with Netflix; “Who wouldn’t be interested?” replied chief content officer Ted Sarandos when asked about the prospect of working with the couple. That’s not exactly an announcement of contracts signed, but Meghan’s glossy effort for Disney offers some clues about what such a deal with Netflix or another streaming platform might look like: polished but pitched at a mass audience. Of course, some British commentators are sneering at the move. TV presenter Lizzie Cundy called it embarrassing, “It’s not what we think our royals should do,” she said. “This is the Duchess of Sussex’s first gig after quitting the Royal Family and she’s going to be doing a documentary on elephants.” The Times of London complained that she was “swapping pomp and circumstance for schmaltz and cheesiness,” making it clear that her offense is to turn her back on the monarchy.
But Elephant is not that dramatic a departure from things the Windsors already do, even if Disney’s particular brand of aggressive family friendliness is new territory. The money is going to a charity, and the royal family also has a longstanding relationship with the monarch of nature documentaries, David Attenborough, who appeared with Elizabeth herself in The Queen’s Green Planet in 2017. (The Queen, in fact, also has a long relationship with elephants.) Even though Meghan is the one with the professional acting background, it’s very easy to imagine Harry taking on his own polished projects about eco-tourism, for instance. He was involved with his brother in both Our Queen at 90 and Diana, Our Mother: Her Life and Legacy, and he’s already co-executive producing a series on mental health with Oprah. Even his father Charles appeared in a program called Royal Paintbox, showcasing art by royals over the centuries. It’s a logical leap, in other words.