The American Experience: Women Of Color And Fashion
LatestSo much of the African American experience is stashed in basements and attics. So writes fashion journalist Robin Givhan in her recent article about the Black Fashion Museum Collection’s move to the Smithsonian National Museum of African-American History and Culture.
For Givhan, the new home of this “treasure-trove of garments designed and worn by African Americans over the course of generations” at the Smithsonian Institution secures the preservation of a “hidden history…in danger of being washed away by the enormity of another Katrina or even a trifling family rift.”
An Other Fashion seeks to find these hidden histories stashed in the basements and attics, in the backs of closets, and in lesser-known personal and institutional archives of and about women of color. These histories are not only kept hidden due to the informal and often inadequate practices of preservation by ordinary people; instead, it is the official cultural archives such as museums and libraries that have played a significant and profound role in keeping hidden the sartorial histories of racially minoritized women.
Recent fashion exhibitions in New York City have included “Night and Day” and “Fashion and Politics” (both at the Museum at FIT); “American Woman, Fashioning a National Identity” (Costume Institute); and “American High Style: Fashioning a National Collection” (Brooklyn Museum). While these exhibitions focus on the convergence of fashion, nationalism, and collective memory, their emphases on formal politics, designer fashion, and eveningwear implicitly privilege dominant styles of dress and womanhood and tacitly inscribe Americanness with bourgeois white femininity. If racial, gender, sexual, class, and language barriers have historically shaped and limited the achievements and life chances of non-White and working women, then traditional museum exhibitions that emphasize the styles of bourgeois white womanhood to the exclusion of Other women collude in the ongoing marginalization and erasure of the lives and material cultural histories of minoritized American women.
Dancers from San Francisco nightclub Forbidden City, backstage 1950