

The two things I’ve watched tonight—Framing Britney Spears and, currently, the Super Bowl—have one person in common, and that person is Justin Timberlake, who is under fire once again for effortlessly maintaining his A-list celeb status while permanently damaging the reputations of Britney Spears and Janet Jackson.
Framing Britney Spears, a new doc from The New York Times Presents, chronicles Spears’s 13-year-long conservatorship, as well as the immense pressure and scrutiny she faced from the media as a teen pop icon that eventually led to the legal arrangement, over which she has no control. As Spears’s star rose, the media entrapped her in a Madonna-whore dichotomy, shaming her for not appearing pure and chaste while at the same time flagrantly profiting from portraying her otherwise. This dynamic becomes particularly stark when Spears is accused of cheating on Timberlake, a version of events Timberlake perpetuated with the music video to his single “Cry Me a River,” which depicts the singer catching a Spears lookalike sleeping with someone else.