Justin Timberlake Is Just One Villain in Framing Britney Spears

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Justin Timberlake Is Just One Villain in Framing Britney Spears
Photo:Valery Hache/AFP (Getty Images)

The two things I’ve watched tonight—Framing Britney Spears and, currently, the Super Bowl—have one person in common, and that person is Justin Timberlake, who is under fire once again for effortlessly maintaining his A-list celeb status while permanently damaging the reputations of Britney Spears and Janet Jackson.

Framing Britney Spears, a new doc from The New York Times Presents, chronicles Spears’s 13-year-long conservatorship, as well as the immense pressure and scrutiny she faced from the media as a teen pop icon that eventually led to the legal arrangement, over which she has no control. As Spears’s star rose, the media entrapped her in a Madonna-whore dichotomy, shaming her for not appearing pure and chaste while at the same time flagrantly profiting from portraying her otherwise. This dynamic becomes particularly stark when Spears is accused of cheating on Timberlake, a version of events Timberlake perpetuated with the music video to his single “Cry Me a River,” which depicts the singer catching a Spears lookalike sleeping with someone else.

In a 2003 interview, Diane Sawyer asks Spears, “You broke his heart, you did something that caused him so much pain, so much suffering. What did you do?” She then goes on to share a quote from the wife of the governor of Maryland at the time, who said that if she “had the opportunity to shoot Britney Spears,” she would do it. Spears breaks into tears and asks to stop the interview.

Needless to say, the media doesn’t seem to subject Timberlake to this same line of questioning. In a post-breakup interview, a radio host asks Timberlake crudely: “Did you fuck Britney Spears?” Instead of rebuffing the question, Timberlake laughs along and says, “Okay, I did it.”

It’s clear that many people and institutions are to blame for Britney Spears being stripped of her autonomy—her father, the paparazzi, the media, and the conservatorship system, which makes it virtually impossible for conservatees to get out from under it, to name a few. Timberlake isn’t the biggest villain in Framing Britney Spears, but when he had the chance to change a formative narrative that demonized Spears and exonerated him, he chose to embrace it instead.


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