Carly Rae Jepsen's 'Boy Problems' Is a Beautiful Gay Song of Discovery
EntertainmentOr, at least, it is on first listen. The track opens right into the burbling lite-funk beat, overlaid with synth shimmer and Sia speaking as CRJ’s girlfriend on the phone. Listen, she says, just leave or stay, but I’m done listening to it.
Carly Rae then jumps into the verse, recounting the phone call:
If you’re gonna go then go/ she said to me on the phone/ so tired of hearing bout your/ boy prob-lems
In the pre-chorus, the impending realization ramps up with the sound:
I know she’s right, and I should not be offended/ Yeah, I know what it looks like from the outside
And then, on the chorus, after a first half that’s defensive, an appeal to the crowd (Boy problems, who’s got ‘em/ I got [it] em too), CRJ gets there: I think I broke up with my boyfriend today, and I don’t really care, I got worse problems.
So that’s how the song seems to throw its titular dilemma: Carly Rae’s boy problems aren’t between her and boy, they’re between her and girl. Just as obvious; still a good little break.
Then, I started an E • MO • TION listening streak that has stretched out unbroken over quite some time at this point, and soon into it I developed a degradedly religious, half-serious, painfully serious theory about Carly Rae Jepsen’s artistic center: that the generic blankness that frustrates people is a willed and focused decentering, that this album is her balancing precariously on and thus extending the very first moment of love’s potential—that she’s right on the point of being blown out by emotion’s possibility, and never past it, never more.
“Boy Problems,” in this reading, is even more of an outlier—at first. But then I realized it wasn’t; it was a BEAUTIFULLY GAY ITERATION of Carly Rae’s whole thing. The song started to seem written to facilitate a second reading that became primary: Sia’s phone call is from a girlfriend in love with CRJ, the entire track CRJ building to the lightbulb that she might be in love back.
The pre-chorus, seen this way, takes on a different color: